Missing Links at Daily Lazy Projects / Athens

Missing Links
Carsten Becker, Emanuel Bernstone, Mit Borrás, Thorsten Kasper, Leon Manoloudakis, Natasha Papadopoulou, Sofia Touboura, Michaela Zimmer

9 May - 6 June 2018

curated by Frontviews e.V

Daily Lazy Projects

Sina 6 & Vissarionos 9
10680 Athens

Mit Borras, Carsten Becker, Leon Manoloudakis, Sofia Touboura, Leon Manoloudakis
Michaela Zimmer, Emanuel Bernstone, Leon Manoloudakis
Mit Borras, Carsten Becker
Mit Borras
Mit Borras, Carsten Becker
Mit Borras, Carsten Becker
Carsten Becker, Leon Manoloudakis
Mit Borras, Carsten Becker, Leon Manoloudakis
Leon Manoloudakis, Sofia Touboura
Leon Manoloudakis, Sofia Touboura
Leon Manoloudakis, Sofia Touboura, Leon Manoloudakis
Sofia Touboura, Leon Manoloudakis
Leon Manoloudakis, Sofia Touboura, Leon Manoloudakis
Thorsten Casper, Mit Borras, Carsten Becker, Sofia Touboura
Thorsten Kasper
Thorsten Kasper, Natasha Papadopoulou
Natasha Papadopoulou, Mit Borras
Thorsten Kasper, Carsten Becker, Sofia Touboura
Thorsten Kasper, Carsten Becker, Sofia Touboura
Natasha Papadopoulou, Mit Borras
Sofia Touboura, Leon Manoloudakis
Mit Borras
Mit Borras
Natasha Papadopoulou
Natasha Papadopoulou
Natasha Papadopoulou
Natasha Papadopoulou
Leon Manoloudakis
Leon Manoloudakis
Sofia Touboura
Sofia Touboura, Emanuel Bernstone
Michaela Zimmer
Michaela Zimmer

 
 Photos: Christos Simos
Images courtesy the artists and Daily Lazy Projects



Since six years the artist-collective frontviews returns from Berlin to make exhibitions with European Artists in Athens strongly supported by the local Athenian Community. During this period of time the contrasting juxtaposition of ATHENS – BERLIN turned out to be the main discursive model for the bipolar concentration of problems haunting the construct of Europe nowadays. Introducing various double binds of comparisons like Poor South – Wealthy North, Common Needs – Austerity, State Property – Private Ownership or Democracy – Neoliberal Elite to the controversy helped not only to depict this complex loop of emergency but also increased prejudices, awarded role models and shaped clichés. A distant northern view from a felt superior position dominated the narratives and also the actions of the political elite. 
But especially for cultural debates, the art scene of Athens succeeded to establish a shifted, self-confident perspective on their very own situation and to burst the determination of a northern view. This new self- awareness, may be condensed in the best way by the slogan: South as a State of Mind. In 2017 this progress culminated in the Double DOCUMENTA, an extraordinary attempt to overcome the antagonistic situation through an open, dialectic comparison and to practice a decentralized solidarity. The assumed good intentions of the curators' board became clear for instance by the fact, that they incorporated especially the issues of even this relevant, new art magazine South as a State of Mind into the official publications of DOCUMENTA. But also the basic structural problems of this cultural outsourcing were evident in this example.
Now in 2018, feeling as if quietness may have entered the relations, here we are again to reflect on the actual situation between the two art scenes of the capitals. What are the political correlations between the states and how do they affect the life of an artist in one or the other country? What are the dominating themes in the cities nowadays? In other words: Are there links between the artistic production of the scenes? Or are we missing too many links? Are we searching for connections, maybe now more than ever before? Could it be, that the superior double bind- narrative has lost importance and even does not affect the cultural class at all? Are we indeed more connected than we think by living an artist life more or less excluded from the promises of prosperity, that the neoliberal class enforces, no matter if south or north?

Frontviews Berlin follows these questions with »Missing Links« hosted be Daily Lazy in Athens. And
frontviews will host a show by Daily Lazy later this year in Berlin. By bringing together some works and their originators, we try to maintain and refresh our bonds face to face.
                                                                                                                                                            Stephan Klee