18 June – 26 July 2020
Zeeburgerpad 53 - Amsterdam
We meet the artist in his hometown Vilnius in 2018, our host having made the
arrangements for what we think will be a studio visit. Augustas is coming over to pick us up, which is a nice gesture. He then takes us for a short drive, parks the car in an indistinctive street, presents a pair of rubber boots and tells us we can only go one at a time. In turn, we put on the boots and are taken to the riverside, down its slippery slope, and then gently ushered into the old sewerage pipe at the bottom.
Inside of what turns out to be his graduation work, a comfortable hammock offers us a perfectly framed view on the flowing river. Augustas is there, waiting patiently while we let things sink in.
Upon his first real encounter with the premises of P/////AKT, in the fall of 2019, it immediately becomes clear that the adjacent building site is something to be
worked with. As is often the case in his practice, Augustas Serapinas likes to reflect upon the surrounding context of the space he’s invited to do a project – the space usually an art space, the context something other than that. The work to be done, as it turned out, is the real deal. The work, as real as it is, is also a facsimile. To make things a bit more complicated still: a facsimile of something that doesn’t exist, but at some point will come into existence – but differently.
The privately owned lot next door from P/////AKT has been awaiting its new
destination since 2007. Work – the gentrification of this rare little fringe – has now finally begun: a five-story building consisting of apartments and commercial/office spaces on the ground floor should be finished by the spring of 2021. Van Wijnen, the main contractor refers to it as 20 Apartments, or simply Zeeburgerpad 54. At the moment they are building a two-layered parking garage below street level – in a way the stage on which Serapinas has designed his proposal for P/////AKT and which is mirroring the yet-to-be-built ground floor of the new building inside the exhibition space. Leading up to the exhibition, P/////AKT has been negotiating with the owner and contractor in order to obtain the necessary information and technical drawings. P/////AKT also hired brick workers to execute the construction, not unlike like a contractor hiring a subcontractor for a certain stage in the building process.
As we by now strongly believe, Serapinas considers the process of preparation and production of the work leading up to its current state, to be a material, a part of the final piece on view, which is an artistic production inside an exhibition space. At the same time it is a living construction site. The distinction between the two is diffuse, which means things are continuously oscillating between two realities and will keep doing so throughout the duration of the exhibition.
Augustas Serapinas’ solo exhibition marks the second part of P/////AKT’s exhibition programme The Space Conductors Are Among Us.
Augustas Serapinas (b. 1990 in Vilnius, Lithuania) lives and works in Vilnius. He completed his BFA at the Vilnius Academy of Arts. Exhibitions include May You Live In Interesting Times, 58th International Art Exhibition of La Biennale di Venezia (Venice, IT. 2019); Waiting For Another Time, Apalazzo Gallery (Brescia, IT. 2018); Where is Luna?, CURA Basement (Roma, IT. 2018); Blue Pen, David Dale Gallery (Glasgow, UK. 2018); Give Up The Ghost, curated by Vincent Honoré, Baltic Triennial 13 (Vilnius, LT. 2018); Everything Was Forever, Until it Was No More, RIBOCA1 Riga Biennial of Contemporary Art (Riga, LV. 2018); How To LiveTogether, Kunsthalle Wien (Vienna, AU. 2017); Four Sheds, Fogo Island Arts (Newfoundland, CA. 2016); Housewarming, Emalin (London, UK. 2016); Phillip, Lukas & Isidora, SALTS (Basel, CH. 2015).