Hybridize or Disappear
curated by João Laia
Cécile B. Evans, Neil Beloufa, Antoine Catala, Diogo Evangelista, Oliver Laric, Shana Moulton, Katja Novitskova, Laure Prouvost, Magali Reus
Museu Nacional de Arte Contemporânea do Chiado
Rua Serpa Pinto, 4 | Rua Capelo, 13
1200-444 Lisboa
curated by João Laia
Cécile B. Evans, Neil Beloufa, Antoine Catala, Diogo Evangelista, Oliver Laric, Shana Moulton, Katja Novitskova, Laure Prouvost, Magali Reus
Museu Nacional de Arte Contemporânea do Chiado
Rua Serpa Pinto, 4 | Rua Capelo, 13
1200-444 Lisboa
09.04 - 24.05 / 2015

(left to right)
António
Teixeira Lopes, Tomás Figueiredo
Costa, Antoine Catala, Cécile
B. Evans

Cécile B. Evans

Antoine Catala


Antoine Catala



(left to right)
Oliver Laric, Jorge Ricardo da
Conceição Vieira, Shana Moulton, Alberto
Carneiro

Shana Moulton

Oliver Laric

(left to right)
Shana Moulton, Alberto
Carneiro, Jorge Ricardo da
Conceição Vieira


Laure Prouvost

(left to right)
Diogo Evangelista, Neil Beloufa, Diogo Evangelista, Magali Reus


Diogo Evangelista, Magali Reus, Diogo Evangelista

Magali Reus, Diogo Evangelista, Laure Prouvost



Diogo Evangelista

Shana Moulton

Neil Beloufa

Diogo Evangelista

Diogo Evangelista





Magali Reus



Tomás Figueiredo Costa, Katja Novitskova, Tomás Figueiredo Costa

Katja Novitskova, José Simões De
Almeida
Junior


Katja Novitskova

Leopoldo Neves de Almeida, Katja Novitskova
Installation shots by Bruno Lopes courtesy of the artists/galleries and Museu Nacional de Arte Contemporânea - Museu do Chiado
The
exhibition looks at how contemporary visual culture has been progressively
mutating towards models where seemingly opposite dimensions come together to
create hybrid forms: material and virtual, textual and objectual, organic and
artificial, consumerism and spirituality have been merging and blurring
previously defined boundaries. Hybridize
or Disappear analyses artistic practices where the visual is handled as
matter and brought into a dialogue with sculptural forms. Objects become images
and images become objects in a process that surpasses pure visuality towards a
more expanded engagement with the visual where the body holds a central
position, becoming a depicted object as well as an instrument of interaction.
curated
by João Laia