September 23 - October 23, 2020
This body of work began before the pandemic. I had no idea that the ground that held it together — togetherness, bodies physically touching other bodies — would shift beneath us. As the isolation set in, I continued to collect material and attend to the studio every day, listening to the news as I cut image after image and drew for the first time in many years.
At the heart of everything is the promise of communion: the merging of multiple bodies into one body. I am a secular, atheistic Jew for whom that word, and its ritual, takes shape outside of religiosity. Communion is unfolded here for its spiritual, sensual, and political capabilities (realms that have always intermingled), unfolding: how do we find affinity? How — the work of aliveness — do we consume each other? And how to make art about physical contact in a world that disallows it?
At its outset, this was a way of memorizing physical closeness in all of its forms. Then the ground shifted again: thousands of bodies began to move together — to become one body, as with any fortified political movement— across the streets of America and our world protesting the poison of white supremacy. Its communion surprised me but shouldn’t have: togetherness is never apolitical, never unhitched from power and self-realization, never without agitation and joy.
The works' shape and framing are derived from mandala designs recovered from books of feminism, healing, and New Age. The spontaneous, diagrammatic forms are meant to represent an entire cosmos, made up of infinite constituencies: a cosmic model for wholeness through interwoven, and often parallel, parts.
- Carmen Winant
All images are courtesy of the artist and Fortnight Institute, NY