Sanghoon Ahn, Anaïs Edely, Daniel Hahn, Aneta Kajzer, Johannes Mundinger, Serin Oh,
Kyung Ryul Park.
20.03.14 - 20.04.26
n / a
2f - 3f 27 Changgyeonggung-ro 5-gil
Jung-gu , Seoul , Republic of Korea
The basic idea,
the starting point for the exhibitions topic was the situation there was, in
Berlin and the current situation in Korea, having a border dividing the
country.
So it’s about a
vague field of borders, border crossing, metaphorically, and what comes
along.
Daniel Hahns
diptych consists of painting and printed letters, referring to censorship,
Serin Oh created small bronzes with rotten fruits arranged in various places in
the gallery. Partially placed on pieces of concrete from Euljiro, as this areas
current state is being endangered by the redevelopment.
Anais Edely is
referring to the power of attraction of mental images around body and sex:
thoughts, fantasies, dreams that inspire and condition us.
Johannes Mundinger
work is based on a fragile ground, painted glass, playing with views on walls,
while Sanghoon placed a painted wall right in the exhibition space discovering
its possibilities.
Aneta Kajzers
paintings oscillate between figuration and abstraction, Kyung Ryul Parks work
conquers the space and invites the visitor to cross the border of interacting
with exhibited objects.