September 25 - 10 November, 2018
Gió Marconi,
Via Tadino, 20
20124 Milan
Period is a cycle of new ceramic plates, arranged in formations. The works were started in the summer of
2017 in Spoleto, Italy, while on residence at the Mahler–LeWitt Studios. They were guided by the poetic
names of the commercial glazes I purchased at Mondo della Ceramica in nearby Deruta, a town long
associated with Renaissance maiolica production: Dragon’s Breath, Obsidian, Black Opal, Alligator, Citrus
Splash, Cobblestone, Firecracker, Royal Fantasy, Woodland Fantasy, Masquerade, Kaleidoscope, Sea
Wind, Northern Lights, Mystic Jade, Black Iris, Irish Luck, Tortoise Shell, Polished Armour... ready-made
meaning.
The attraction to glazing plates is entirely based on not knowing the end result. There are few activities in
which painting can be so chance-based; in which heat is half the battle. The glazes go on in colours and
textures entirely different to how they will end up; the elemental force of volcanic temperatures wreak their
aesthetic havoc. Small crystal rocks embedded in the gunk chemically transform and imitate the effects of
thousands of years of deep time – geology, mineraloids, the lithosphere, evolution – as well as more
contemporary synthetics – plastic, candy, tie-dye, cake batter and glitter. What emerges often challenges
my expectations and taste.
The circle has long been the shape of progress, war and currency (wheels, shields, and coins), as well as
the basic platform for nourishment at home. The subject of a rectangular painting, when forced into a
tondo, becomes an eternal return, both a commemorative and predictive plaque. A period has the authority
to end a sentence.
(Allison Katz)
Allison Katz (b. Montreal, Canada, 1980), lives and works in London.
Most recent solo exhibitions: Diary w/o Dates, Oakville Galleries, Oakville; MIT List Visual Arts Center, Boston (2018);
Fig-Futures, Grundy Art Gallery, Blackpool (2018); Posters, Billedrommet, Tønsberg (2017); We boil at different degrees,
The Approach, London (2016); AKA, Gió Marconi, Milan (2016); All Is On, Kunstverein Freiburg, Freiburg (2015); fig-2
47/50 Allison Katz, ICA Studio, London (2015).
Recent group exhibitions: Sputterances, Metro Pictures, New York, USA (2017); That Continuous Thing: Artists and the
Ceramics Studio, 1920–Today, Tate St. Ives, St. Ives (2017); Shelf Paintings in collaboration with Fredrik Vaerslev, All
Around Amateur, Bergen Kunsthall, Bergen; Le Consortium, Dijon (2016); DAS INSTITUT with Allison Katz in DAS
INSTITUT, Serpentine Gallery, London (2016); The Violet Crab, David Roberts Art Foundation, London (2015); Yes,
We’re Open, Gió Marconi, Milan (2015); Puddle, Pothole, Portal, Sculpture Centre, New York (2014).